
Weaving Reflection and Practice

TAWA Practice explores culture, memory, writing, archives, language, and the ways knowledge moves across generations.
CULTURE · MEMORY · RESEARCH · WRITING
A journey can begin with a place. It can also begin with a story told again, a language someone decides to learn, a dance the body remembers, or a program book kept long after the gathering has ended. We begin to remember even as we experience our individual or collective journeys. We notice, interpret, move, listen, and learn. Later, a story, an object, or a gesture may bring that moment forward again—sometimes changed by the telling. I created TAWA Practice to follow these threads. Through research, writing, language, performance, and public humanities, I explore how cultural knowledge takes shape, how people carry it, and how they make it possible for others to encounter it.
Photo of Arani, Bolivia by Monica Flores
Practice in motion
01 The places that brought me here
02 Where the path leads now
03 where we can meet
The name behind the practice
Tawa means “four” in Quechua. Across my broader work, four areas—Transform, Align, Weave, and Author—give shape to different kinds of practice.
TAWA Practice is where I follow the cultural and creative threads: memory, language, research, and writing. The threads cross in the work itself.
A story calls for interpretation. A program takes people, planning, and care. A dance holds knowledge learned through movement and time. I follow these connections to understand what we inherit, what we make together, and what we carry forward.






